Whether you like rap, rock, classical or country, you’ll find your favorite music at the Thomas Crane Public Library in Quincy, MA.
Posted in Roots Rock on May 20th, 2010
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“The Great American Bubble Factory rocks hard, moving with a combination of swagger and populist anger as working folks struggle to stay afloat in a land where jobs are short, credit card debt threatens to swallow everything in sight, and nearly everything that used to be made in America has “Made in China” [...]
Posted in Country Rock, Rock/Pop, Roots Rock on Feb 9th, 2010
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“Even though this 2009 release incorporates jazz elements on occasion (as well as elements of blues, soul, and country), Some Assembly Required is a roots rock/Americana effort first and foremost…This is a well-crafted, nicely executed disc that never fails to be enjoyable.”–All Music Guide
Posted in Alt-Country, Country, Country Rock, Rock/Pop, Roots Rock on Oct 2nd, 2009
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“Electric Dirt sounds fresh, emphatic, and as effective as anything Levon has cut since the mid-’70s, and one can only hope he has a few more discs in him just this good.”–All Music Guide
Posted in Rock/Pop, Roots Rock on Oct 2nd, 2009
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“Poseidon and the Bitter Bug is not only solid all the way through, it feels fresh, clean, new, and chock-full of beauty.”–All Music Guide
Posted in Rock/Pop, Roots Rock on Mar 9th, 2009
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“Released in the summer of 1968 — a year after the summer of love, but still in the thick of the Age of Aquarius - Creedence Clearwater Revival’s self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty’s Americana fascinations.”–All Music Guide
Posted in Rock/Pop, Roots Rock on Dec 3rd, 2008
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“Her fourth solo album released in August 2008 is Didn’t It Feel Kinder. Amy Elizabeth Ray is a singer-songwriter and member of the well-known contemporary folk duo Indigo Girls.”—Amazon.com
Posted in Alt Rock, Alt-Country, Country, Rock/Pop, Roots Rock on Nov 21st, 2008
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“A strong if characteristic collection of rugged country folk-rock. It all sounds great; full when it needs to be but sparse enough to shake off any concerns previous fans of Carll’s indie releases might have about a major-label sellout.”—All Music Guide