Feed on
Posts
Comments

Category Archive for 'Country'

“Often, country memories can get maudlin, but Willie and Merle are filled with good humor here and the pair often strike a delicate balance of fun and sweet melancholy which gives Django and Jimmie a soulful lift. Both singers are aware they’re approaching the twilight, but they’re not cursing the dark, they’re enjoying the sunset.” […]

Read Full Post »

Kacey Musgraves: Pageant Material

“Pageant Material favors softness, sometimes nearly swooning in its slowness, especially on the gorgeous keynote ‘High Time’ and the closer ‘Fine,’ both so deliberate and hazy they evoke memories of lazy high-school dances.” -allmusic.com Check our Catalog Listen Now

Read Full Post »

Dwight Yoakam: Second Hand Heart

“Dwight Yoakam recalibrated his career with 2012’s 3 Pears, returning to his former home of Warner and reconnecting to the nerviness of his first albums. With Second Hand Heart, Yoakam continues this unfussy revival, sharpening his attack so the record breezes by at a crisp, crackling clip. Once again, he’s reviving himself through reconnecting the […]

Read Full Post »

“Here, Giddens expands upon the neo-string band of the Carolina Chocolate Drops by crafting an abbreviated and fluid history of 20th century roots music — along with the older forms that informed it — concentrating on songs either written or popularized by female musicians. As a torchbearer, not a revivalist, Giddins isn’t concerned with replicating […]

Read Full Post »

Earls of Leicester: Earls of Leicester

“As a tribute, The Earls of Leicester is nearly flawless, and this may encourage some younger bluegrass fans to dig into the Flatt & Scruggs catalog, but as far as having a mind and a character of its own, these sessions leave a certain amount to be desired.” -allmusic.com Check our Catalog Listen Now

Read Full Post »

“The New Basement Tapes recorded Lost on the River in a real studio fully aware there was an audience awaiting their output, an attitude that’s the polar opposite of the ramshackle joshing around of the original Basement Tapes. Thankfully, nobody involved with Lost on the River contrives to replicate either the sound or feel of […]

Read Full Post »

“Then Came the Morning reveals so much growth it’s hard to believe this is only the Lone Bellow’s second album. This trio pulls off a chosen weave of hybrid roots sounds with seeming ease, passion, and verve. No one else performing Americana or crossover country music attempts anything like it, leaving the trio in its […]

Read Full Post »

“Like Earle’s best work, Absent Fathers is low on flash and high on emotional honesty and perceptive songwriting, and paired with Single Mothers this is some of his most intelligent and moving music to date.” -allmusic.com Check our Catalog Listen Now

Read Full Post »

“There are moments where Single Mothers feels like art therapy as much as music, but this album communicates its pain with intelligence and a gentle touch, and as a singer and lyricist Earle grows with each album; there are more than a few moments of brilliance on this set if you don’t mind sharing a […]

Read Full Post »

“At its core, Bringing Back the Sunshine is a middlebrow makeout record that can double as a fine morning tonic. Nothing here rocks (although the closing ‘Just Gettin’ Started’ tries to work up a full head of steam), nothing is gritty, even the ode to a ‘Good Country Song,’ which isn’t a slice of hardcore […]

Read Full Post »

Trisha Yearwood: Prizefighter

“Yearwood has had more than ten hits — and she’s also had no fewer than five compilations — but the hits here are well chosen (‘She’s in Love with the Boy,’ ‘How Do I Live,’ ‘Wrong Side of Memphis,’ and ‘The Song Remembers When’ are all here), and the new songs are solid enough to […]

Read Full Post »

Garth Brooks: Man Against Machine

“From its beefy arena rock arrangements to its preponderance of power ballads, this is an album constructed from remnants of the golden age of the diamond album, a cross-demographical blockbuster that’s now a bit of accidental narrowcasting. This is for audiences who wish they made country records like they used to — not when Hank, […]

Read Full Post »

Eric Paslay: Eric Paslay

“Paslay isn’t trying to change the world with his songs, but he does want you to remember them without much strain, and if there’s a secret to success in Nashville, that just might be it — keep it simple and catchy. This self-titled debut release doesn’t change the landscape of contemporary country, but it sure […]

Read Full Post »

Florida-Georgia Line: Anything Goes

” Despite the loosey-goosey title, there’s not much left to chance on Anything Goes: it’s designed to consolidate Florida Georgia Line’s success and maybe give them a little bit of cred they never amassed on their debut. Those serious moments, crystallized by the salt-of-the-earth dirgey lead single ‘Dirt,’ are where FGL stumble. Whenever the duo […]

Read Full Post »

Jason Aldean: Old boots, new dirt

“It’s hard not to ascribe some meaning to the title of Old Boots, New Dirt, Jason Aldean’s sixth album. Edging into his second decade as a star, Aldean’s boots are getting a bit worn; he’s no longer an upstart, he’s a veteran who could almost be seen as an institution thanks to his long commercial […]

Read Full Post »

“The new songs are a nice touch, but the real purpose of this set is to offer casual fans a way to get all of Brooks’ best-known hits in one package, and in that regard The Ultimate Hits not only succeeds, it’s long overdue.” –All Music Guide Check Our Catalog

Read Full Post »

“Rimes’ decision to play it cool in addition to having a bit of fun makes One Christmas a neat little seasonal treat.” –All Music Guide Check Our Catalog

Read Full Post »

“A quarterback-turned-country songwriter-turned-country star, Sam Hunt never makes apologies for his inherent bro-ness on his 2014 debut Montevallo….Hunt’s ability to fuse his classical construction with modern flair and pass it off as no big thing is what makes his debut something more than just another album from the bro next door.” –All Music Guide Check Our Catalog […]

Read Full Post »

Taylor Swift: 1989

“When Taylor Swift decides to do something, the girl really knows how to overdo it. So on her fifth album, when she indulges her crush on Eighties synth-pop, she goes full blast….Deeply weird, feverishly emotional, wildly enthusiastic, 1989 sounds exactly like Taylor Swift, even when it sounds like nothing she’s ever tried before.” –Rolling Stone Check Our Catalog

Read Full Post »

“Beal continues the eclectic and wild streak he began on his debut, but takes it into more refined, if not completely more accessible zones with Nobody Knows. It’s hard to tell if the album feels angrier and grittier than its predecessor, or if peeling off the layers of lo-fidelity actually reveal an artist more raw and without rules than […]

Read Full Post »

« Newer Posts - Older Posts »