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Monthly Archive for May, 2015

Madonna: Rebel Heart

“Rebel Heart was introduced to the world with an indiscipline uncharacteristic of Madonna. Blame it on hackers who rushed out a clutch of unfinished tracks at the end of 2014, a few months before the record’s scheduled spring release. Madonna countered by putting six full tracks up on a digital service, a move that likely […]

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Dwight Yoakam: Second Hand Heart

“Dwight Yoakam recalibrated his career with 2012’s 3 Pears, returning to his former home of Warner and reconnecting to the nerviness of his first albums. With Second Hand Heart, Yoakam continues this unfussy revival, sharpening his attack so the record breezes by at a crisp, crackling clip. Once again, he’s reviving himself through reconnecting the […]

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Barnstar!: Sit Down! Get Up! Get Out!

“A local example of that oxymoron, the ‘sideman supergroup,’ Barnstar! — Zachariah Hickman, Charlie Rose, Mark Erelli, and Taylor and Jake Amerding — has released a sophomore record that reveals a continuing fondness for the exclamation point, and for bluegrass-based, genre-bending music filled with jawdropping harmonizing, emotive ensemble playing, and a raucous immediacy.” -Stuart Munro/TheBostonGlobe.com […]

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Passion Pit: Kindred

“Married after his group’s previous album, Gossamer, having split from prior bandmates, and appearing in a PSA about the importance of his having sought professional help for his bipolar disorder, frontman Michael Angelakos presents a gratitude-imbued, relatively ballad-heavy, but still sparkling third Passion Pit LP in Kindred. In no great shift from the distinctive sound […]

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“On 2012’s Fear Fun, Josh Tillman introduced audiences to Father John Misty, a jaded and erudite, faux-bohemian retro-pop confectioner with a strong surrealist bent and an aptitude for capturing the American zeitgeist via wry couplets concerning the culturally and morally ambiguous wasteland of southern California. That penchant for gutter-highbrow confessionalism still looms large on his […]

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Mark Knopfler: Tracker

“Scaled smaller than 2012’s double-album Privateering, Tracker also feels suitably subtle, easing its way into being instead of announcing itself with a thunder. Such understatement is typical of Mark Knopfler, particularly in the third act of his career. When he left Dire Straits behind, he also left behind any semblance of playing for the cheap […]

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Alabama Shakes: Sound and Color

“On their 2012 debut Boys & Girls, Alabama Shakes never hid that they were creatures of the New South — a band with old-fashioned blues, soul, gospel, and country in their blood but raised on modern rock. On their 2015 follow-up, Sound & Color, they free themselves from the vestiges of the past, let loose, […]

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