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“Mika has flirted with dance music and electronic sounds since Life in Cartoon Motion, but on The Origin of Love he commits to it in a much bigger way…The album’s other highlights show that he’s still a keen and witty singer/songwriter, especially when it comes to love’s more confusing aspects.” –All Music Guide

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The Mavericks: In Time

“This album, In Time, is…a further step away from anything resembling a mainstream country release, incorporating not only the Tex-Mex and Cuban influences the band was known for, but also the rhythms of polkas, tangos, and all manner of approaches, making them closer to a band like Los Lobos than to Tim McGraw or Jason Aldean, or whoever passes for the face of country music these days.” –All Music Guide

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“Along with co-producer Jerome ‘J-Roc’ Harmon and fellow songwriter James Fauntleroy, the Tims have made a refined and distended follow-up to FutureSex/LoveSounds… [A] pleasant and grown release from a charismatic entertainer.” –All Music Guide

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“The Next Day is designed to remind us all of why we’ve missed him, containing hints of the Thin White Duke and Ziggy Stardust… [T]he album has been systematically stripped of eeriness, trading discomfort for pleasure at every turn. And pleasure it does deliver, as nobody knows how to do classic Bowie like Bowie and Visconti, the two life-long collaborators sifting through their past, picking elements that relate to what Bowie is now…” –All Music Guide

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Rhye: Woman

“In 2010, Mike Milosh flew to Denmark to work on a Quadron remix with that duo’s Robin Hannibal. The collaboration grew into another duo, named Rhye… [A]n ideal fusion of the two instrumentalists and producers, whose sound is enhanced — never overstuffed — with horns, woodwinds, and strings, including harp. Tempos rarely break a breezy pace.” –All Music Guide

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“The surprising thing about this set is not the sound quality (which is exceptional) or that these all sound like finished tracks, but the fact that even avid Hendrix bootleg collectors are unlikely to have heard most of this material… People, Hell and Angels certainly isn’t the place to start your Hendrix collection, but collectors will surely want to hear this and it provides an interesting perspective on where Jimi’s music was headed post-Experience.” –All Music Guide

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“A virtual unknown in his English homeland but a chart-topping star across the Channel, Cornwall singer/songwriter Charlie Winston followed up his number one sophomore album, Hobo, with an equally eclectic third effort inspired by the likes of Nick Cave, Steve Reich, and Jacques Brel.” –All Music Guide

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“The first solo outing from Frames leader and Swell Season co-conspirator Glenn Hansard doubles down on the prolific Irish singer/songwriter’s penchant for crafting soulful, slow burn ballads that ache like the sliced-open underbelly of a terminally swollen rain cloud.” –All Music Guide

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“On his tenth album under the Eels moniker, Mark ‘E’ Everett continues to follow his musical muse wherever it’ll take him with Wonderful, Glorious. After so many records it seems like E would be well past the point of any new firsts, but this is the first album to be recorded in his expansive new studio, mysteriously named The Compound, as well as the first album written in collaboration with the rest of the band.” –All Music Guide

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“Luke Bryan’s Spring Break…Here to Party is a soundtrack for a rollicking, rowdy spring break… [T]his is just breezy fun, a collection of cheerful drinking songs that never threaten to careen out of control.” –All Music Guide

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“As Jon Bon Jovi ponders the state of the union in 2013 (he raises the question ‘What About Now,’ then proceeds to answer it throughout the album), he repeats images — faith intermingles with the military, although rarely in a way that suggests his politics lean to the right; rather, they’re just underscoring the troubles within the American heartland…” –All Music Guide

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“Few artists are as tough to pin down as Me’Shell Ndegéocello. Throughout her career she has continually thwarted attempts by industry forces who would attempt to define her. She’s a master bassist and a poignant, restless songwriter….Pour Une Âme Souveraine is the best kind of dedication to Simone: it invokes her inspiration rather than attempting to re-create her character.” –All Music Guide

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“There’s synth pop that pulses, electro-disco that just about bursts, ballads that occasionally preen and frequently roar, and grand Phil Spector-meets-Baz Luhrmann pop that teems with florid desperation.” –All Music Guide

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“Knopfler is that rare gunslinger who can make even the wildest shot look like it was completely intentional, and his steady voice, mercurial lyrics, and instantly recognizable guitar tone, that latter of which falls somewhere between the rich, lucid beauty of David Gilmour and the Pan-like spell-casting of Richard Thompson, provide just the right amount of ballast to keep a ship as big as Privateering buoyant.” –All Music Guide

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“Harmonielehre is an exhausting, exhilarating work in the way a late Romantic symphony can be, and Tilson Thomas masterfully conveys the complex score’s emotional volatility with appropriately startling ferocity…. The album includes a sparkling, propulsive reading of Short Ride in a Fast Machine from a live 2011 performance. Highly recommended.” –All Music Guide

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“It’s not surprising that David Byrne and St. Vincent’s Annie Clark were drawn to work together. While they’re hardly sound-alikes, they are both keen but somewhat detached observers of the human condition who make music that’s equally cerebral and passionate… Given all the things Byrne and Clark pack into Love This Giant, it’s a remarkably catchy and concise set of songs featuring some of the most vibrant work that either one of them has produced.” –All Music Guide

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“Despite its wide range of material and experimentation, this is the pop record McGraw has always wanted to make. He packs in a little of everything here… [A] solid and ambitious recording.” –All Music Guide

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Roc Marciano: Reloaded

“Laced with dialogue from Michael Mann, Woody Allen, Blaxploitation, and slasher flicks, as well as a few other sources, the productions maintain a steady low-key mood suited for bleary 3 a.m. listening… Grim and exultant at once, this is low-profile hustling on wax at its finest.” –All Music Guide

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“Most of these songs aren’t new — Kristofferson says he writes very little now — but they are unheard, making their recorded debut here. It makes one wonder just how many other gems he has in a desk drawer or on some dusty cassette tape. Based on the soul-satisfying evidence of Feeling Mortal, one can only hope there are many more.” –All Music Guide

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