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Tag Archive 'Country-Pop'

“[I]t is neither a bluegrass nor pop record but rather splits the difference, touching upon each sound, along with threading in other signatures….[T]he remarkable thing is how satisfying an album this is: it sounds good and the songs are sturdy, proof that Parton is far from resting on her laurels.” –All Music Guide Check Our [...]

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“Everlasting is the second collection of covers Martina McBride has recorded, following 2005′s Timeless by nearly ten years. A decade isn’t the only thing separating the two records. Timeless was a collection of country covers but Everlasting has soul in its heart….There’s warmth in [Don] Was’ production and honey in McBride’s voice.” –All Music Guide [...]

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“Evans elegantly matches the oversized arrangements, matching each crescendo and hushed moment, while the songs are cannily constructed pieces of pop, sounding stronger with each play….Slow Me Down is something that is rare in 2014: an unapologetic, big-scale adult pop album, constructed with grace and care.” –All Music Guide Check Our Catalog

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“Nail’s gifts suggest he’s a blue-collar patriot, a working man happy to churn out anthems for the unsung, but he’s a bit more subtle than that, identifying exceptional songwriters and never succumbing to the good-time bro-country that is a golden ticket to the top of the charts….[I]t’s a grower, sounding better with repeated exposure, repeated [...]

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“This wonderful archival Patti Page release is drawn from recording sessions Page did for Columbia Records between 1963 and 1969, but then never officially released….[I]t amounts to a fair amount of material, and a treasure trove at that. This is indeed a welcome addition to the Page legacy.” –All Music Guide Check Our Catalog

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Jennifer Nettles: That Girl

“That Girl is Jennifer Nettles’ first solo record since she co-founded pop-country’s superstar act Sugarland. Produced by Rick Rubin, it’s mostly a collection of originals, co-written with some of the music industry’s most successful songwriters….That Girl was obviously designed to showcase her diversity as a vocalist and songwriter, and to cross over to a pop [...]

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“Florida Georgia Line… broke onto the contemporary country scene in the spring of 2012 with the infectious summer single ‘Cruise,’ a song that blended cruising country back roads and farm towns with ragged drums and layers of rock guitar….The duo seems poised for stardom going into the second decade of the 21st century, a time [...]

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“See You Tonight works, partially due to the Rogers-shepherded collection of cheerful country-pop but also due to the malleability of McCreery’s dude-next-door persona. That his surroundings are lighter and brighter than before only accentuates how McCreery’s happy to be here, so he’s happy to sing songs that will keep him here.” –All Music Guide Check [...]

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Keith Urban: Fuse

“Fuse, Keith Urban’s first album in three years, delivers a slicker, more sophisticated version of his solitary demo recording process as a radical sounding change in direction. Throughout, he melds drum machines, synths and samplers with his guitars, banjos, mandolins and voice….Urban manages to fashion it all into a (mostly) working whole and maintain his [...]

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“[I]t shines, capturing Rimes at her best as a pure country singer, a neo-rockabilly filly, a savvy crossover pop artist, and an understated troubadour who knows how to camouflage her emotions underneath it all….[A]ll the music on Spitfire resonates, every song suggesting an avenue Rimes could pursue the next time out.” –All Music Guide Check [...]

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“Annie Up doesn’t have the rhythm of a relationship, it has the relationship of life, the mess of family, new loves, and exes that hang around. In this context, the camaraderie of the Pistol Annies cuts deep — they’re a gang, encouraging the other two not to talk about Tina, praising sobriety, realizing life goes [...]

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Hunter Hayes: Encore

“What’s most striking overall is the instrumentation along with the overall feel of the album. Drums are prominent, giving the songs a fuller sound, and Hunter’s virtuosity on both acoustic and electric guitars, mandolin and other instruments is tastefully dispersed throughout.” –Country Weekly Check Our Catalog

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“[I]t reflects his newfound popularity via its reliance on rocking rhythms, woolly mammoth hooks, red state swagger, and pristine power ballads… [F]ew other country albums of 2012-2013 are as unabashedly of the moment as this… [T]he very sense that more is more is essential to the appeal of Based on a True Story…: every song [...]

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Lady Antebellum: Golden

“Lady Antebellum rolls out their fourth studio album, ‘Golden.’ After striking a heavier tone on their last album, ‘Own The Night,’ the Capitol Nashville trio includes several more up tempo numbers on the new set…. However, any Lady A disc has to contain at least a couple of heartbreaking ballads, and they don’t disappoint here.” [...]

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“Monroe is enamored with tradition, pushing fiddles to the foreground and sometimes succumbing to the smoky sway of a slow dance at a dancehall, but she’s not a retro-singer, she’s a modern girl hauling old ways into the present. This blend of contemporary attitudes and classic sounds is insinuating and addictive, particularly because at nine [...]

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“Kacey Musgraves could easily be contemporary country’s next big thing. She’s a sharp, detailed songwriter with a little bit of an edge… Musgraves has a sense of humor, too, and all of these traits add up to make Same Trailer Different Park more than a collection of songs just aiming for the country charts.” –All [...]

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“Despite its wide range of material and experimentation, this is the pop record McGraw has always wanted to make. He packs in a little of everything here… [A] solid and ambitious recording.” –All Music Guide Check Our Catalog

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Hunter Hayes: Hunter Hayes

“[H]e has crisp, bright, relentless melodies designed to win over any audience. Hunter Hayes may be pure Nashville product but he believes in what he’s selling, so it’s hard not to smile along as he hawks his wares.” –All Music Guide Check Our Catalog

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“[I]f her 2012 album Red intends to do anything, it’s to prove Taylor is a genuine superstar, the kind who transcends genre, the kind who can be referred to by a single name. …Red barely winks at country, and it’s a better album for it. It is, as all pop albums should be, recognizable primarily [...]

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