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Tag Archive 'Piano Jazz'

Chick Corea Trio: Trilogy

“Arguably (and not many would argue) the greatest living jazz pianist, Chick Corea has had a long and highlight-filled career, beginning with his tenure with the great Miles Davis when Davis was defining the jazz-rock synthesis, through Corea’s own breakthrough jazz fusion recordings and his subsequent journeys into everything from the post-bop avant-garde to classical [...]

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Keith Jarrett/Charlie Haden: Last Dance

“This hushed duo set sounds like the epilogue to Jasmine, the collection of reflections on Broadway classics and ballads that Jarrett and double-bassist Haden made four years ago….Jarrett’s timing and sense of space, plus Haden’s spontaneous countermelodies, continue to provide low-lit delights….It’s just as good as Jasmine, and hopefully not a Last Dance for this partnership.” –The [...]

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Danilo Pérez: Panama 500

“Panamanian-born pianist Danilo Pérez’s 2014 album, Panama 500, is an expansive effort that showcases his trio as they delve deep into the music and folkloric traditions of Pérez’s homeland. Panama 500 is an ambitious work that showcases all of Pérez’s immense technical skills, jazz knowledge, and deep, abiding love of his Latin American roots.” –All [...]

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Craig Taborn Trio: Chants

“Less than two years after Avenging Angel, his solo ECM debut, pianist Craig Taborn returns with his longstanding trio of bassist Thomas Morgan and drummer Gerald Cleaver….Chants is a strong statement from Taborn both as a composer and bandleader, but it’s also a dialogue on the trio format itself, as articulated by this vastly talented, [...]

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John Medeski: A Different Time

“John Medeski’s solo piano debut was a long time coming. Recorded for Sony Masterworks’ revived Okeh imprint, it’s a 41-minute showcase of a pianist we’ve not really encountered — at least at this length — before….A Different Time may be the first solo entry for Medeski, but given its quality, it hopefully isn’t the last.” [...]

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Vijay Iyer Trio: Accelerando

“Iyer’s own tunes, such as the title track and “Lude,” reveal an extensive, purposeful build on jazz history from Thelonious Monk (in the latter) to the future (in the former), where dynamic repetition and gradually complex harmonic multiplications result from simple beginnings. What’s most remarkable about these tunes, and the others here, are how consciously [...]

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